Nataly (Kukula) Abramovitch’s Lonely Opulent Things, celebrates the over-the-top ambiance of the French aristocracy

Yuko Shimizu in Mexico

Jacob Borshard print, in the traditional Ukiyo-e style. This print features the warrior and pony of the Cotton Candy clan riding into battle in the Great Pony Rebellion.

More of Jacob Borshard’s work.

From David Bray’s exhibition the Stolenspace gallerey at Let’s Hit the Streets.

Brian Krezel is an Adobe Illustrator assassin and Star Wars addict! Checkout more of his work at Joyengine.com.

“Mr. T’s weave” by Chelsea Fletcher is cool. Available at Moshi Moshi in Portland for $200.

Shepard Fairey latest print will be available on January 30th—set your alarms clocks, don’t sleep.

Screenprint is 24 X 36, edition of 350

Su-en Wong was born in Singapore but now lives in Willamsburg, Brooklyn.

From Danese:
“The works continue Wong’s investigation of the “self? within complex worlds that embrace contradiction as a condition of existence – eroticism and innocence, humor and pathos, the individual and everywoman, fantasy and reality.”

Wow.

Get a piece of the monster from Motomichi.

From his website:
“Motomichi Nakamura was born in Tokyo, Japan. After graduating from Parsons School of Design in New York he moved to Ecuador where he started working as an artist. He returned to the U.S. in 2000 and currently lives and works in Brooklyn.”

“The subjects in his work often reflect a conflictive nature and can be frightening yet humorous, part human and part monsters. They can also appear at once childlike and sexually deviated. The use of color in both his digital work and in his paintings is limited to black, red and white.”

Ujino Muneteru (宇治野宗?)
From Ujino’s web site:
“Tokyo based Muneteru produces work informed by the urban experience, domesticity fused with club and dance music, the interpretation of musical histories, technological capabilities and the sophisticated transformation of domestic and popular ready-made objects into hybrid musical instruments. Muneteru’s practice is concerned with adaptations of language – musical, written and spoken, and the common connection established through a ‘lost in translation’ experience of dance culture. Controlling the performance from a platform of turntables, switch panels and instruments made from found recycled articles including a blender, hair-dryer, electric drill, food processor and bicycle, Muneteru’s sounds trigger responses from the vehicle, which flashes in time with the variable beats.”