Audrey Kawasaki has some prints for sale at Gallery 1988 in Los Angeles. Part of her interview from soul:
Please tell us a little about your background – art school, family, etc. Any favorite teachers from art school you’d like to mention?
-Born and raised in west LA. My family is from Japan, so I grew up with strong Japanese cultures, language, television, manga, etc. In high school I took fine arts classes once a week. Tim Kaminski was my first real art teacher. After taking two years off after high school, I moved to Brooklyn, NY. to study fine arts at Pratt Institute. Professor Doug Whirls and William Sayler had a big impact on me.
Which do you prefer painting on most – wood, paper or canvas?
Wood, definitely! something about an empty white sheet of paper or canvas intimates me. too white. too clean. too bright… I love the wood surface too much. its natural organic patterns and swirls puts me at ease and excites me. I like to run my hands down its smooth hard surface before I draw on it.
You seem to incorporate the grain of the wood in many of your pieces. How did you come about this method? I would imagine this adds some added stress when it comes time to pick out your wood to paint upon. Do you already have a piece in mind when you go looking for the grain, or do you more adapt a piece to a nice grain pattern you find?
– I started painting on wood after I found pieces of scrap wood in the alleyways in Brooklyn to work on. I liked the idea of turning a piece of trash in to piece of art . Now, I purchase my wood, just because its more clean and bug-free. No stress when picking them out though. I just look for pretty grains and colors, and adapt my images to it. I usually do not have an image in mind. That comes after I cut the wood and sand it down and stare at it for a while…
You have a very unique look to your work that seems to be instantly recognizable by most. That is something to be very proud of. At what point did you know you had found your style?
– I am just comfortable with the girls I draw. There are certain lines and colors that feel good to me. Certain eyes and lips that I enjoy. – I feel like all my girls (and even the guys) I draw are all portraits of the same person. different faces and bodies, different moods, but ultimately they portray the same